“[T]he culminating flower of cat-worship in Egypt”: 19th-Century Stage Cleopatras and Victorian Views of Ancient Egypt,” Victorian Literary Culture and Ancient Egypt, edited by Eleanor Dobson, Manchester UP, 2020, pp. 114-38.

“New Woman Writing,” The Routledge Companion to Victorian Literature, edited by Dennis Denisoff and Talia Schaffer, Routledge, 2019, pp. 296-306.

“‘Strange Books’ from a ‘Weird Imagination’: H. Rider Haggard’s Romances, Sublime Egyptian Women, and H. P. Lovecraft’s ‘Weird Tales,’” Studies in Walter Pater and Aestheticism, no. 4, Summer 2019, pp. 45-65.

“The Response of the Late Victorian Feminist Press to Same-Sex Desire Controversies.” Women, Periodicals and Print Culture in Britain, 1830s-1900s:  The Victorian Period, edited by Alexis Easley, Clare Gill, and Beth Rodgers, Edinburgh UP, 2019, pp. 542-54.

“Egyptian Mythology in Eliot’s Major Works.” George Eliot:  Interdisciplinary Essays, edited by Jean Arnold and Lila Marz Harper, Palgrave Macmillan, 2019, pp. 97-115.

“Oral Testimony and Legitimate Records of Spiritualist Phenomena in William Stainton Moses’s Light.”  ELT:  English Literature in Transition, vol. 61, no. 3, 2018, pp. 333-51.

“Feminism.” Oxford Bibliographies in “Victorian Literature,” edited by Juliet John, Oxford UP, revised 2018, originally published 2014, http://www.oxfordbibliographies.com/view/document/obo-9780199799558/obo-9780199799558-0139.xml

“A ‘duty’ to ‘tabulate and record’:  Emma Hardinge Britten as Periodical Editor and Spiritualist Historian.” Victorian Periodicals Review, vol. 49, no. 1, 2016, pp. 49-75.

“‘Narrative readings of the images she sees’: Principles of 19th-Century Narrative Painting in George Eliot’s Fiction.” George Eliot-George Henry Lewes Studies, vol. 67, no. 1, 2015, pp. 1-29.

“The Aesthetic Character of Oscar Wilde’s The Woman’s World.” Wilde Discoveries: Traditions, Histories, Archives, edited by Joseph Bristow, U of Toronto P, 2013, pp. 121-42.

“Bound by an English Eye: Artistic Observation, Race Hierarchies, and Women’s Emancipation in Florence Nightingale’s Suggestions for Thought.” Prose Studies, vol. 33, no. 2, 2011, pp. 83-101.

“After Sensation: Legacies: The New Woman Novel.” A Companion to Sensation Fiction, edited by Pamela Gilbert, Blackwell, 2011, pp. 579-90.

“‘Mrs. Schlesinger wields a facile pen’: Articulations of Spiritualist Feminism in Julia Schlesinger’s Carrier Dove.” Victorian Periodicals Review, vol. 43, no. 3, 2010, pp. 262-95.

“Selected Letters: Henrietta Stannard, Marie Corelli, and Annesley Kenealy.” Kindred Hands: Letters on Writing by Women Authors, 1860-1920, edited by Jennifer Cognard-Black and Elizabeth MacLeod Walls, U of Iowa P, 2006, pp. 147-62.

“‘Independent in Thought and Expression, Kindly and Tolerant in Tone’: Henrietta Stannard, Golden Gates, and Gender Controversies at the Fin de Siècle.” Victorian Periodicals Review, vol. 38, no. 3, 2005, pp. 307-26.

“‘All she knew was, that she wished to live’: Late-Victorian Realism, Liberal-Feminist Ideals, and George Gissing’s In the Year of the Jubilee.” Studies in the Novel, vol. 36, no. 1, 2004,  pp. 56-78.

“George Moore’s Quest for Canonization and Esther Waters as Female Helpmate.” English Literature in Transition 1880-1920, vol. 46, no. 2, 2003, pp. 117-39.

“‘Into the Woof, A Little Thibet Wool’: Orientalism and Representing ‘Reality’ in Walter Scott’s The Surgeon’s Daughter.” Scottish Studies Review, vol. 3, no. 1, 2002, pp. 33-57.